Sexytime!

My name is Erin.

Fun facts:
I like cartoons.
I go to some fancy-pants art school.
I am a graphic design major and illustration minor.
I love awesomely terrible movies.
The Sims will always be my favorite video game.
I spend too much time on the internet.
sofapizza:

retrofuturs:

3D Printing

what a time to be alive.

sofapizza:

retrofuturs:

3D Printing

what a time to be alive.

teaganwhite:

Wren Day

gouache & watercolor on paper

(I couldn’t decide which colors I liked best — the blue is a photoshopped alternate version, and the gold is closer to the original painting.)

My piece for the Animystics show at Light Grey Art Lab, opening this Friday! The show is all about the spiritual and mystical ideas associated with different animals, and I chose to illustrate the Wren because of its place in druid lore and celtic mythology.

In one tale, the wren won the title of King of Birds when he hid unnoticed under the feathers of an eagle in a race, and flew ahead at the last second. Ancient druid rituals involved sacrificing a wren at midwinter, and the tradition was carried on into Christian times, with “wrenboys” catching a wren on St Stephen’s Day, tying it to a decorated pole, and marching from door to door in the village wearing costumes made of straw, asking for donations.

My piece was inspired by the St Stephen’s Day (or Wren Day) tradition, which I first learned about from a lovely little song called Wren in the Furze, which you can (and definitely should) listen to here.

jedavu:

Amazing Face-Paintings Transform Models Into The 2D Works Of Famous Artists

by  Valeriya Kutsan

(via presidentme)

tiolet:

"You’re so shy, you should open up more!"

image

oldbookillustrations:

Marpessa sat alone by the fountain.

Helen Stratton, from A book of myths, by Jeanie Lang, New York, 1915.

(Source: archive.org)

oldbookillustrations:

Marpessa sat alone by the fountain.

Helen Stratton, from A book of myths, by Jeanie Lang, New York, 1915.

(Source: archive.org)

malcolmsex:

Don’t.

(Source: yungpissloaf)


erikkwakkel:
Sharing a binding
This is a clever book from the 18th century, printed in Oxford in 1756. It presents both the Old and New Testament, although the books are not bound together the regular way, behind one another. Instead, the binder opted to place them next to each other. This very rare binding technique is part of a family that includes the dos-à-dos (or “back to back”) binding, which I blogged about before (here). Having the two testaments bound this way allowed the reader to consult passages from both books at the same time. Indeed, the empty pages in the front and back are filled with notes, including in Greek and Hebrew. It appears this clever binding had a reader to match.
Pic: Manchester, Chetham’s Library (source).

erikkwakkel:

Sharing a binding

This is a clever book from the 18th century, printed in Oxford in 1756. It presents both the Old and New Testament, although the books are not bound together the regular way, behind one another. Instead, the binder opted to place them next to each other. This very rare binding technique is part of a family that includes the dos-à-dos (or “back to back”) binding, which I blogged about before (here). Having the two testaments bound this way allowed the reader to consult passages from both books at the same time. Indeed, the empty pages in the front and back are filled with notes, including in Greek and Hebrew. It appears this clever binding had a reader to match.

Pic: Manchester, Chetham’s Library (source).

(via uispeccoll)

banavalope:

sircuddlebuns:

Skip the Use - Nameless World

I AM SO IN LOVE WITH THIS! THE SONG AND THE ANIMATION ARE SO GOOD I AM HAVING AN OUT OF BODY EXPERIENCE PLEASE WATCH THIS YOU WILL NOT BE SORRY

Oh shit this is Zombillenium!! It’s super rad, if you haven’t heard about it yet! This video is real hype

(via brujajas)

adarasanchez:

"Así que en ser altivano logras nada. “
I’ve been playing again.
*Based on a photograph by Eduardo Izquierdo.

adarasanchez:

"Así que en ser altiva
no logras nada. “

I’ve been playing again.

*Based on a photograph by Eduardo Izquierdo.